Biography

A man with glasses, a beard, and a big smile playing a Roland keyboard during a musical event, with drums and music stands in the background.

Scottish conductor Cole Bendall is recognised for bold programming, clear musical direction, and a strong narrative presence on the podium. Equally at home in concert halls, churches, and unconventional spaces, his work spans choral, choral-orchestral, and interdisciplinary projects, with a particular strength in youth and education-led performance.

Now based in London, Cole is Music Director of Reigate & Redhill Choral Society, Woking Choral Society, and Holmbury St Mary Choral Society, and has previously led Brockham Choral and the Surrey County Youth Choir. Recent and forthcoming orchestral collaborations include conducting the Academy of Ancient Music, Lithuanian State Symphony Orchestra, London Mozart Players, and the Amadeus Orchestra, alongside international choral projects with ensembles such as the Estonian Philharmonic Chamber Choir, Rundfunkchor Berlin and the Turkish State Choir.

From 2016 to 2022, Cole was founder and Artistic Director of The Reid Consort, earning national attention in Scotland for ambitious projects including Arvo Pärt’s Passio, his devised Patchwork Requiem, and recordings for the National Library of Scotland. Recent repertoire includes Verdi Requiem, Britten Serenade, Smyth Mass in D, McDowall Da Vinci Requiem, and Handel Messiah. His orchestral reduction of Elgar’s The Music Makers has been performed in the UK and USA, with upcoming projects including Elgar’s The Dream of Gerontius, Britten’s Saint Nicolas, and guest work in Europe and Canada.

Alongside his conducting career, Cole is an active educator and animateur, delivering workshops, large-scale singing projects, and training programmes for organisations including National Youth Choir, Pimlico Musical Foundation, English National Opera, Grange Park Opera and Surrey Arts. He has developed training resources for the ABRSM and is in demand as a writer of programme notes and commentary. A prize-winning graduate of the Universities of Aberdeen and Edinburgh, he contributes writing to The Choral Journal, Oxford University Press, and his Substack, You Set the Tone.